The labyrinth of marginality: a critique of theorising literary representation of marginality in indian english literature
DOI:
https://doi.org/10.34117/bjdv10n7-024Keywords:
marginality, plurality, indian english literature, literary theory and criticismAbstract
In his work After Amnesia, G.N. Devy rightly points out a gap, a void created by our collective “cultural amnesia” in literary theory and criticism. Foregrounding this insight, the research on “Marginal Literature” has crucial ontological and epistemological questions ahead of itself. The question: “What is Marginal Literature?” becomes more pertinent and complex when assessed in the context of the plurality of Indian society and culture. The exercise of creating a structured and organised theoretical point of view that is comprehensive enough to address and acknowledge the diverse and multifaceted marginal experience as expressed by contemporary writers is a challenge for all scholars working to define, hypothesise, analyse the phenomenon of marginality in the form of a question, a vista, an enigma or a mere tributary in the canon of Indian Literature written and translated in English. As a doctoral candidate working in this area, in this paper, I intend to discuss the various theorists, thinkers, and perspectives that have informed and the lacunas that have restrained the discussion of marginality in my thesis.
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