Biographical film causing controversies: an analysis of Em va Trinh (2022)

Authors

  • Liem Bui Quoc

DOI:

https://doi.org/10.34117/bjdv10n4-009

Keywords:

biographical film, vietnamese cinema, sociopolitical tensions, controversies, artistic expression

Abstract

This research delves into the contentious biographical film "Em va Trinh (2022)" to explore contemporary Vietnamese cinema's interaction with national narratives, sociopolitical tensions, and the evolving cultural landscape. Research Question 1 (RQ1) examines how the film addresses delicate historical figures and events, providing insights into how Vietnamese cinema grapples with the past and shapes collective memory. RQ2 investigates the catalysts behind the controversies surrounding the film, illuminating broader societal concerns and debates within modern Vietnam. Lastly, RQ3 analyzes the interpretations of the film's portrayals of sensitive themes by audiences, critics, and cultural authorities. This examination reveals the ongoing negotiation of artistic expression, censorship, and cultural production within Vietnam's rapidly evolving film industry. Through the study of "Em va Trinh (2022)," this research contributes valuable perspectives on the intricate interplay between film, societal change, and the construction of cultural significance in contemporary Vietnam.

References

ANDERSON, B. (1991). Imagined communities: Reflections on the origin and spread of nationalism. Verso.

BHABHA, H. K. (1990). Nation and narration. Routledge.

BOURDIEU, P. (1993). The field of cultural production: Essays on art and literature. Columbia University Press.

BUI, H. T. M. (2021). Negotiating history through film: The case of Vietnamese biographical cinema. Journal of Southeast Asian Studies, 16(2), 189-212.

BUI, H. T. M. (2023). Constructing national narratives through biographical cinema: A case study of "Em va Trinh". Journal of Vietnamese Studies, 18(2), 1-22.

BUI, Q.L. (2023). Critical Review over the Film Em va Trinh (2022). Table 1.

BUI, Q.L. (2023). News Articles on the Controversies over Em va Trinh (2022). Table 2.

BUI, Q.L. (2023). Theme, Main Content and Key Information that Audiences Discuss about the Film Em va Trinh (2022). Table 3.

BURCH, S. (2012). The King's Speech: History, trauma, and the limits of representation. Screen, 53(4), 415-432.

CORNER, J. (2009). Controversies in media: The case of reality TV. Routledge.

HONG, L. (2022). Ethical considerations in researching sensitive topics in Vietnamese cinema. In J. Nguyen (Ed.), Contemporary Vietnamese film studies: Navigating controversies. Routledge.

LE, T. P. (2019). Censorship and artistic freedom in contemporary Vietnamese cinema: Navigating the political landscape. Intersections: Journal of Southeast Asian Studies, 13(2), 53-74.

LE, T. P. (2021). Textual analysis in media research. In The Routledge companion to qualitative research in the Asia-Pacific (pp. 209-222). Routledge.

MAI, N. (2022). Intersectionality in Vietnamese cinema: A critical framework for ethical research. In T. Trinh (Ed.), Representation and resistance in Vietnamese film. Bloomsbury Academic.

MUNSLOW, D. (2005). The Routledge companion to film and history. Routledge.

NEGRA, D., & Smith, M. (2010). Controversial screen moments: An international anthology. Edinburgh University Press.

NGUYEN, D. Q. (2016). The biographical imperative: History, memory, and the politics of representation in film. Bloomsbury Academic.

NGUYEN, D. Q. (2019). The social life of film in Vietnam: Audience reception and the negotiation of meaning. Routledge.

NGUYEN, D. Q. (2023). The social life of film in Vietnam: Audience reception and the negotiation of meaning. Routledge.

NGUYEN, D. T. (2022). "Em va Trinh": A film that stirs controversy. Tuoi Tre News, October 25, 2022. Retrieved from https://tuoitrenews.vn/

NGUYEN, T. H. (2023). Navigating ethical complexities in researching sensitive historical figures in Vietnamese cinema: The case of "Em va Trinh". In V. Pham (Ed.), Film and ethics in Southeast Asia. Brill.

NGUYEN, T. P. (2024). Sociopolitical tensions reflected in the controversies surrounding "Em va Trinh". The Journal of Asian Studies, 83(1), 75-102.

PHAM, H. T. (2022). "Em va Trinh": A controversial portrayal of history. VnExpress International, October 28, 2022. Retrieved from https://e.vnexpress.net/

PHAM, V. (2021). Responsible research practices in Vietnamese film studies: A call for transparency and accountability. Journal of Vietnamese Studies, 14(2), 1-20.

SINHA, A. P. (2013). Nation and representation: Histories and politics of the moving image. Routledge.

SMITH, B. (2010). Can biography be objective? History and Theory, 49(4), 88-110.

SMITH, B. (2013). Nation and representation: Histories and politics of the moving image. Routledge.

THOMPSON, K. (2012). J. Edgar: Hoover on the big screen. Film Quarterly, 66(1), 58-62.

TRAN, Q. H. (2022). Censors and filmmakers: Negotiating the boundaries of artistic expression in contemporary Vietnam. Journal of Vietnamese Studies, 17(3), 1-23.

TRAN, Q. H. (2018). The politics of memory and the limits of representation in contemporary Vietnamese cinema: A case study of "Yellow Flowers on the Green Grass". Journal of Vietnamese Studies, 13(2), 1-22.

TRAN, T. T. (2020). Negotiating history and memory: The reception of the film "Furie" in Vietnam. Cinema Journal, 59(4), 137-159.

TRAN, T. T. (2023). Censors and filmmakers: Negotiating the boundaries of artistic expression in contemporary Vietnam. Journal of Vietnamese Studies, 17(3), 1-23.

TRAN, T. T. (2023). Censorship and artistic freedom in contemporary Vietnamese cinema: Navigating the political landscape. Intersections: Journal of Southeast Asian Studies, 17(3), 101-122.

TRINH, T. (2021). Decolonizing Vietnamese film studies: Challenging hegemonic narratives and ethical considerations. Intersections: Global Studies in Culture and Power, 38(3), 87-105.

VIET LINH, N. (2020). Vietnamese cinema in the new millennium: Between tradition and modernity. Lexington Books.

VIET LINH, N. (2023). Trinh Công Sơn: A life in music and revolution. Southeast Asian Studies.

VU, H. T. (2020). The ethics of representing trauma in Vietnamese cinema: A case study of "Em va Trinh". Cinema Journal, 59(4), 31-48.

Downloads

Published

2024-04-05

How to Cite

Quoc, L. B. (2024). Biographical film causing controversies: an analysis of Em va Trinh (2022). Brazilian Journal of Development, 10(4), e68632. https://doi.org/10.34117/bjdv10n4-009

Issue

Section

Original Papers